Posts Tagged With: Mark Wallis

Happy Ostara!

Ostara Hare by Mark Wallis on thevibes.meRainbows, downpours and sunshine. March hares are jumping. Shooting buds and rising sap. I feel like Tigger. Happy Ostara, the return of the sun. Forget easter with the naked guy in the diaper and all those creepy Cross People. Just celebrate nature.

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The Crooked Man

The new one pound coin with george Osborne by Mark wallis at thevibes.me
There was a crooked man, and he walked a crooked mile.
He found a crooked sixpence upon a crooked stile.
He bought a crooked cat, which caught a crooked mouse,
And they all lived together in a little crooked house.

Look, everyone! Pretty new things! Anything to distract you from the worst government in British history. Should I submit my George Osborne update for the new one pound coin to The Royal Mint?

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Clockwork video for Goldfrapp’s Drew

Still image from Goldfrapp's Drew (Clockwork Mix by The Devious Corporation) by Mark Wallis

"wild and fun"   "evocative and beautiful"  "absolutely stellar work"

My remix for Goldfrapp’s Drew got some glowing reviews, so I couldn’t resist making a video to go with it. The original song is haunting and nostalgic, and I added a grandfather clock, an oboe and mandolin. Happy memories and lost time are the main themes here in my short film, and I combine found footage with a visit to the Norfolk holidays of my childhood.

Click on the image to watch the movie

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Exclusive Goldfrapp remix – Drew (clockwork mix)

Drew by Goldfrapp (Clockwork remix by The Devious Corporation

For weeks I’ve been scratching my head, trying to remix Drew from Goldfrapp’s Tales of Us album. The roots of the song are John Barry and Scott Walker, with a dash of Ennio Morricone and all rendered by a large orchestra. How do you compete with that? The simple answer is you don’t. Some songs just can’t be cajoled onto the dancefloor, and remixes are as much about reinterpretation as tapping feet. Whispers and grandfather clocks feature in my version which lurks in the shadows of a deserted ballroom, echoing with the memories of past dramas. I tried to use just the vocal from the original, and built my own sound using shivering strings, oboes and a church organ. There’s even a choir in there somewhere…

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