This is the artwork for my latest remix, this time it’s Kate Bush and the Boogitron Bootleg version of An Architect’s Dream. Watch the video here and listen or download here.
Posts Tagged With: The Devious Corporation
Kate Bush remixed by Boogitron
Kate Bush remixed – An Architect’s Dream (Boogitron Bootleg)
Now you can sing into your hairbrush when you get ready for the live shows coming up next month. This is how I get my studio tan – by remixing Kate Bush. A chance meeting of the minds lead to this jaunty little version of the sensual slow-burner from the wonderful Aerial album. You might know the track, but you’ve never heard it quite like this before.
This week I had two videos pulled from YouTube. People were claiming to be me and trying to get credit for my remix and the little movie I made to go with it. I was going to leave them to it, flattered that they liked my stuff, but then I remembered the mountain of work involved in completing both the video and the soundtrack. And none of this was for personal gain – just a tribute to my favourite band. For a humble fan-mix, it’s certainly caused some trouble…
Watch the video here https://www.youtube.com/watch?v=QEc8Mmqmlus
Clockwork video for Goldfrapp’s Drew
"wild and fun" "evocative and beautiful" "absolutely stellar work"
My remix for Goldfrapp’s Drew got some glowing reviews, so I couldn’t resist making a video to go with it. The original song is haunting and nostalgic, and I added a grandfather clock, an oboe and mandolin. Happy memories and lost time are the main themes here in my short film, and I combine found footage with a visit to the Norfolk holidays of my childhood.
Click on the image to watch the movie
Exclusive Goldfrapp remix – Drew (clockwork mix)
For weeks I’ve been scratching my head, trying to remix Drew from Goldfrapp’s Tales of Us album. The roots of the song are John Barry and Scott Walker, with a dash of Ennio Morricone and all rendered by a large orchestra. How do you compete with that? The simple answer is you don’t. Some songs just can’t be cajoled onto the dancefloor, and remixes are as much about reinterpretation as tapping feet. Whispers and grandfather clocks feature in my version which lurks in the shadows of a deserted ballroom, echoing with the memories of past dramas. I tried to use just the vocal from the original, and built my own sound using shivering strings, oboes and a church organ. There’s even a choir in there somewhere…