Posts Tagged With: Music

This is my shrine to Goldfrapp, videos I’ve made, mashups I’ve mashed and the odd remix. Enjoy!

My latest remix is Drew – Clockwork Mix, using just the vocal from the original and building a cinematic soundscape from ghostly whispers, ticking clocks and a huge orchestra.

This is one of the stand out tracks from Goldfrapp’s Tales of Us album, remixed by me, rocking the tribal flavour and adding a few angry mobs here and there. Sit back and grab a burning torch – it’s Thea, the Totem mix!

Nobody remixed Cologne Cerrone Houdini. So it was left to me to knock together a stoned sort of edit, using extracts from the track mixed into the instrumental with added samples and an interview with Alison which sums up the Seventh Tree era. It’s faster than the original and starts backwards! (This one contains cussin’ so it’s rated PG)

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Here’s some footage of Goldfrapp live in Manchester on the Head First Tour. The soundtrack was unusable, so I edited in a little remix of Beautiful, which should be their live standard. But isn’t.

The original version of Goldfrapp’s Winter Wonderland sounded unfinished. I finished it with a choir, bells and big drums. Tinkerbell meets Slade. I also added extra whistling and a quote from It’s a Wonderful Life at the end. I think it’s Animal from The Muppets on drums…

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Clowns is one of the most beautiful pieces of music I’ve ever heard. Here’s my attempt at a music video, mixing tv performances from Seventh Tree with The Banana Splits, a children’s tv show from the 70s. I can explain. Clowns took me back to the Flake adverts of the 70s and my childhood. The Banana Splits are part of that nostalgia, and chime with Alison dressing up in a bunny costume during the playful Seventh Tree era. I opted for the balloon scene after Alison said the song was about breast implants… I used the instrumental version of Clowns and edited in just one line of the vocal, which I thought was poignant. There are also some vinyl scratches to complete the rose-coloured haze.

It was an accident, finding how well these two songs go together. I was making a compilation tape and as Black Cherry ended, Song to the Siren began. Within minutes I was mixing them together using the most primitive software I could find. Elizabeth Fraser was used sparingly as a backing vocal, allowing space for the vast emptiness of Black Cherry, until they build to a crescendo which compliments the main song. It’s quite hard to take two starkly beautiful songs like this and make them work together without ending up with Ballad Soup.

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